'Rushlights' Unrated Director's Cut VOD: Superb Neo Docudrama American Gothic Noir

Rushlights Reviews
The Vertical Entertainment VOD release of the unrated director's cut with the "Based on True Events" 2013 Josh Henderson (with the TNT "Dallas" series) noir-thriller "Rushlights" demonstrates streaming is not just for previously released and not-ready-for-primetime material. This production shows that this format could also be used to show the general public the show that the studio suits don't want you to view. In this case, it in all probability may be the full extent from the violence in some scenes.

"Rushlights" writer/director Antoni Stutz states within the press materials for this release that "this cut from the film is closer to things i (Stutz) been in mind initially. Its [sic] edgier. 'The gloves are off' if you'd prefer." We love; indeed, we all do.

The next YouTube clip with the "Rushlights" trailer shows how it uses the actors and setting to good effect.

Stutz commences using the classic noir set-up of having Henderson's Billy meet fellow loser Sarah on the diner where she functions as a waitress until something better comes along. Mutual flirting begats a hot-and-heavy R-rated lust scene, which begats panicked night-time contact from Sarah to Billy.

The get a booty over here call relates to the current death from the roommate of Sarah. This begats Billy and Sarah going to a tiny Texas town to perpetuate a scheme to gather a large inheritance that they lack a rightful claim.

Both leads play their parts well; the portrayal of Billy seems to be an audition piece for Henderson in reference to his subsequent role since the grown-up John Ross Ewing on "Dallas."

This attempt to pull the wool on the eyes from the (presumed) sheep-ranching community triggers the bulk of the previously mentioned removing the gloves. The quantity of bloodletting as well as the creative manners where Satutz achieves this should satisfy every fan with the modern form of thriller. A climatic scene nearby the end particularly will not disappoint in this regard.

Stutz further excels in adding twists that keep the audience guessing. Any noir fan sees that deceit permeates the Billy-Sarah relationship, nevertheless the reveals in regards to this are unexpected. The same thing goes to a lesser extent about the sibling rivalry between local sheriff Bob Brogden (whom Beau Bridges perfectly portrays) and younger brother attorney Cameron (whom Aidan Quinn nicely plays).

Stutz additionally borrows in the horror film genre in providing several false endings before finally putting something to rest. The seemingly final carnage is the start of the end.

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